Second release from this Swedish project, showcasing low-resolution digital tunes with a great sense of melody and melancholy. The use of distortion is more sparse yet present enough to... (continued)
A collaboration release between the persons responsible for Nothing and Gruntsplatter. Imaginative mix of dark ambient, playful atmospheres and glitch-tinged electronics.... (continued)
The second part of the "Fauna" series by this project, the first of which was released by Stateart. Thematically and sonically centered around frogs and their environment,... (continued)
To put it shortly, there is nothing that sounds like Lucisferrato. Layered and processed voices form the spine of this project's unique and very... (continued)
Power electronics side-project of Mürnau / Eisengrau. Mangled shouted vocals drowned out by blasts of rumbling noise. Limited to 200 hand-numbered copies.
A pleasant release from this New Mexico based project. Soaring waves of lush sounds from processed instruments such as pianos, accordions and violas. There's a... (continued)
Thick undulating bass sounds, discreet sonic effects and gentle melodic structures come together for this slab of subdued ambiance.
Long-delayed CD album from this French ambient noise project whose previous material includes a tape released years ago on Slaughter and some compilation appearances, including... (continued)
Second release from this band fronted by Igor Krutogolov, known for his many collaborations and solo projects in the Israeli experimental scene. This is energetic, rich and playful... (continued)
If you've heard Igor Krutogolov's solo track on the "Tel Aviv Aftermath" compilation, you might be somewhat prepared to hear what this release has to offer: a... (continued)
First release from this highly eclectic Israeli band that deliver a joyful combination of Jazz, Klezmer, Hardcore and cartoon sound effects. Somewhere... (continued)
Split release with 4 tracks from the Hollowing and 3 from Marspiter. The former shifts from cavernous noise ambient to aggressive tribal pieces, while Marspiter sticks to a... (continued)